Maolaigh primarily shot on Clare Island, off the west coast of Ireland, explores an alternate biography following a fictitious younger self Maolaigh, who journeys back to the ancestral home of Gráinne Mhaol, the legendary 'Pirate Queen.'
Grainne Mhaol appears as a ghostlike spirit guide, weaving subtly alongside glimpses of an older trans* Maolaigh, the artists own presence attempting to pass within a contemporary farming community whilst vaguely weaving personal, historical, and collective memories of loss.
The Title “Maolaigh”, from “mhaol” (to become bald, bare, unprotected), is inspired
both by the life of Grainne Mhaol and the desire to re-learn Gaeilge, as a decolonial act; searching for a voice to reclaim or reconcile the traumas passed down, yet through silence, behind grey stone walls, empty convents, inaudible utterances, drowned in cures.
Like the life story of Grainne Mhaol, this film project troubles ideas of “self” forged by
individualism and identity politics, critiquing both the nature-culture opposition which
informs identity formation in modern Western sociétés and the patriarchal destruction
of the natural world caused by capitalism and colonialism.
The film renounces a traditional treatment and script towards conducting an experiment in fabulative ethnography, using (auto)ethnography, performances and multi-species encounters as methodologies enabling to unlock an emancipated,
queer temporality (or in T.J. Demos’ words, “chrono politics”): a temporality located in
an undetermined not-yet, always-already there for us to rescue and reassess
suppressed possibilities
Through these narrative explorations, Maolaigh became a magical realist meditation,
blurring boundaries between inner and outer worlds and seamlessly integrating gender,
temporality, and identity.
© 2023 Doireann O´Malley