New Maps of Hyperspace_Test_01 The work explores a post-human environment where several abandoned experiments to sustain life, beehives in incubators, 3D models of bodies, plant and insect colonies lie empty. A circular ball leads the viewer through this world as a narrator of a world inhabited only by human consciousness trapped in computers in a data center. The work is set in a liminal time when humans have vacated the world. All that remains are remnants of corporate research/manufacturing plants, data centers and machines which still contain some consciousness of humans which were uploaded before climate disaster destroyed life. The work dwells on systems theory, climate care, digital consciousness and data mining.
New Maps of Hyperspace_Test01 is virtual environment set in a computer simulating a water basin surrounded by architectural remnants of a derelict laboratory, containing experiments which suggest machines are attempting to re-introduce life back on earth. The work is a parable on Alan Turing’s technological disembodiment, Terrence McKenna’s hyperspace and an undoing of the matter of consciousness.
Hyperspace is a notion from science fiction of a superluminal method of travel. It is typically described as an alternative “sub-region” of space co-existing with our own universe which may be entered using an energy field or other device.  In most fiction, hyperspace is described as a physical place that can be entered and exited.
The text is partly composed of quotes from Terrence McKenna’s New Maps of Hyper Space.
Commissioned by Light Work Urban Video Project (Syracuse / USA), National Sculpture Factory (Cork / Ireland), Berlin Program for Artists.
Supported by the Cultural Administration of the State of Berlin and Arts Council of Ireland.
3D scans: Benjamin Busch
Data conversion: Elinor Hasselberg
3D artist: Bertrand Flanet
Programmers: Felix Kraus, Vladimir Storm
Sound design: Caroline McCarthy
Voiceover: Amy (text to speech)
Special thanks to Steph Holl Trieu, The BeeCoin Project, House of Statistics, Floating University.
Gibca 2019: Part of The Labyrinth at Göteborgs Konsthall
Göteborg International Biennial for Contemporary Art
Exhibition @ Stadium, June 22nd-July 20th.
»Doireann O’Malley, Prototype I: Quantum Leaps in Trans Semiotics through Psycho-Analytical Snail Serum and Prototype II: The Institute // Wendy Cabrera Rubio & Josue Mejia, Apocalipto«
Nhmx, March 30, 2019 – May 04, 2019
Nordenhake Mexico presents the new project Apocalipto by Mexico City artists Wendy Cabrera Rubio (Mexico City, 1993) and Josué Mejía (Mexico City, 1994). And the immersive film installations Prototype I & II by Berlin-based Irish artist Doireann O´Malley (Limerick, Ireland, 1981).